Carly - The night I lived again: part 3

There is beauty in the ordinary. Waking up, making coffee, washing my hair, going to the post office. All ordinary things made extra-ordinary because I am here to do them. I woke early and watched the moon sink and the sun rise. The east screamed tangerine and the sun pierced the thin veil of sky with a restless yearning – as if it needed to be seen by  human eyes so it had proof of life. ‘I am here!’ it bellowed through the clouds.

 Not surprisingly, I was much the same when I woke up following my transplant surgery. I was still intubated (on life support), and my first physical response was to try and pull out the tube that was down my throat. I remember Dad finding me a notebook and giving me a pen so that I could write, but all I could manage was scrawl and for a few seconds, I thought I was brain-damaged. But was I even alive? I could see Mum, Dad, my sister Nikki, my boyfriend Lachie and one of my best friends, Laura. Someone then found Dad an alphabet board, so I could point to the letters. The first letters I pointed at were -

‘A M  I  A L I V E’

Everyone laughed and nodded their heads, saying ‘yes, you’re here – you’ve made it.’ Then I pointed out the letters ‘I  L O V E  Y O U’ and I couldn’t tell if everyone was laughing or crying or both. All I wanted to know was if I was alive, so when I knew for certain, I started thrashing around on the bed because the tube down my throat was choking me. At least that was how it felt.

For the next three days, whenever the sedation wore off, I would thump around like a frightened yearling and try to pull the tube out. That was until a nurse rushed at me and pushed more sedation through the I.V in my neck. What surprised the doctors, was that I needed about five times more sedation than the average patient of my age and size. They worked out it was a combination of stubborn and a high tolerance for not only sedatives, but barbiturates, general anaesthetics and opiates.

Here’s Mum watching over me. It saddens me to see the distress etched along her cheekbones and forehead. I often wonder how much this experience both eroded and strengthened her.

Here’s Mum watching over me. It saddens me to see the distress etched along her cheekbones and forehead. I often wonder how much this experience both eroded and strengthened her.

My friend Sharon, who introduced me to Alicia (they were studying the same course at the Queensland College of Art), and my Mum are smiling here because they can see that my fingers are pink after having been cyanotic (blue) from the lack of ox…

My friend Sharon, who introduced me to Alicia (they were studying the same course at the Queensland College of Art), and my Mum are smiling here because they can see that my fingers are pink after having been cyanotic (blue) from the lack of oxygen in my blood for so long. The fact that Sharon would cry and faint at the sight of a needle and/or blood (I remember her screaming when we had to have our TB immunisation at school), she did incredibly well with all of the needles, tubes and machines. Sharon has since had three babies and can now deal with blood. I’m very proud of her evolution.

When I initially went on the transplant list, I was told that I would more than likely have a long wait because my lungs were so small, which meant that I might need the lungs of a child. This never sat well with me. It was like a stone in my belly. Knowing that I was essentially waiting for someone to die so that I may live was an already heavy burden, let alone knowing I may end up with the lungs of a child inside me who had not lived a long enough life, often made me feel physically ill.

 This is what an end stage Cystic Fibrosis lung looks like. I always liken it to a dead bat.

 This is what an end stage Cystic Fibrosis lung looks like. I always liken it to a dead bat.

Transplant  is a mental and moral minefield. A girl I had grown up with could never reconcile the fact that she had another person’s lungs inside of her, and she died a couple of years after her transplant full of that terror. During a transplant assessment to determine if you’re medically viable for transplant, among the barrage of tests is a psychiatric evaluation in order to ascertain if you’re stable enough to endure the possible mental rigours that go hand in hand with having such life-altering surgery. The transplant team has to know if you’re going to be compliant. Are you going to take your medication religiously? Are you going to look after yourself when you leave hospital? Do you have adequate familial and emotional support to cope post-surgery? If the patient has emphysema, will they start smoking again? Unfortunately the answer to the last question can be ‘yes’. I’ve known patients who have taken up smoking post-transplant, and I can only imagine how this makes the doctors and other medical professionals feel. Personally, I want to give them a high-five. In the face. With a SHOVEL. I want to repossess their lungs and give them to someone who deserves and respects them.

 For me, having a transplant is a shared responsibility between my donor and I. It’s a shared duty of care. They’re not my lungs – they’re ours. I’ll say ‘my lungs’, but what I really mean is ‘mine and hers’.

I was extubated (taken off life support and breathing on my own) after three days and I didn’t stop for talking. For days. Mum, Dad, Laura, Lachie and Nikki were never far away. And neither was Sharon, my Blood-Sharps Princess Warrior :) Lachie would often leave me writhing in pain because he made me laugh so much …

My first walk with Mum in tow. Always with me.

My first walk with Mum in tow. Always with me.

My favourite ICU nurse, Allan. He did a superb job of extubating me, so I love him extra hard.

My favourite ICU nurse, Allan. He did a superb job of extubating me, so I love him extra hard.

But like any journey worth writing about, it wasn’t all beer and skittles/sunshine and rainbows. In the second week, I began to wheeze and it became steadily worse over a weekend. I was home on day pass and I bounded up the stairs where I did a Rocky victory jig (except that no one was watching). I let everyone know that I’d made it to the top of the stairs without dying, and I noticed I was wheezing.

‘I must have got an asthmatics lungs,’ I said, and everyone clapped at my efforts and laughed at what I had said about my wheezy lungs.

Scott Bell, my lung transplant consultant, was sick that weekend, so another doctor – a heart transplant consultant (hearts –> chalk/lungs –> cheese) assumed that it was asthma and so prescribed me nebulised ventolin. The problem was that it wasn’t asthma and by Monday morning, I was critically ill with the worst rejection Scott had seen up until that point. I had essentially been misdiagnosed. Scott was not happy. You don’t get Scott unhappy.

I had bronchoscopy after bronchoscopy, was moved back into acute ICU for an afternoon for observation and my morphine dose was increased. Rejection was the worst pain I had been in since the epidural had been removed a week earlier. When the epidural was pulled, someone may as well have poured fuel over my chest and set it alight. I’d never suffered – really suffered – with pain so fierce and searing before, and I’ve only experienced it once since and that was after my cancer surgery in 2007. In my ‘Transplant Diary’, where Mum and Nikki wrote everything down every day, Mum writes on the 31st August, ‘Carly is in extreme pain, like someone is sitting on her chest. She is having morphine.’

The other drug they increased was my prednisone (cortico-steroids). Massive doses of methyl-prednisolone pulsed through my body for three solid days, as well as other drugs you’d think would be better at stripping paint off the walls. My doctors were calling transplant units all over the world to try and save my life, and though we knew the rejection I had was serious, it wasn’t until six months later that Scott told me how close I came to dying. Even when I see Scott now around the hospital, he still shakes his head and says, ‘I’ll never forget that rejection. It really was an extraordinary time.’

There’s that word again. Extraordinary.

But I’m more than happy with ordinary. Ordinary means simple, and simple is beautiful in its truth and brevity. After I spent some time with my folks and two of my closest friends, I stopped at a shop which has everything that I love – coloured wooden blocks, cotton socks, porcelain birds and winsome stationery – and I bought a teapot and the matching cups that I’ve been looking at for a while. It brews a lovely cuppa, and every time I pour from the pot and drink from the cups, I’ll think back to this ordinary day in all of its staggering and miraculous beauty and all of its blessings.

Without my family and friends, I am nothing. I am a body with a stagnant soul  

I’m *very* spoilt …

Here’s to our shared good health 

(From bruisesyoucan touch.com)

Carly - The night I lived again: part 2

By the time it was definite that the donor lungs were a match, there would have been at least 35 people at the hospital – all friends and family. Even a friend’s boyfriend (now husband) had driven down from uni at Gatton, so he could be there for both me, his now wife and my other friends (love you, Davey!!)

My boyfriend at the time, bless, had arrived at the Prince Charles drunk. With flowers and chocolates. Which I couldn’t eat. I think they became someone’s breakfast. He had been having a night in with the boys at his place, and they all very quickly sobered up when I arrived by ambulance. In fact, most people had beaten ME to the hospital. My Dad ran about three red lights and my best friend ran at least one (what a way to become an organ donor …)

I was taken up to the respiratory ward and we waited in the day room for a couple of hours before I was put in the wards only private room. The only problem was, with the amount of people I had with me, there was a fair bit of noise and it was now around 1.30am. We kept on getting in trouble from one particular nurse who reminded me of Maggie Kirkpatrick’s character on ‘Prisoner’. She could get as angry as she wanted, because I soon discovered that she was going on six weeks of leave when she left handover that morning.

Carly: 1

Grumpy nurse: 0

You do silly things when you’re about to die. You put bowls that are used for vomit on your head.

You do silly things when you’re about to die. You put bowls that are used for vomit on your head.

I got to say my goodbyes to each of my friends, one by one, and it was excruciating, both physically and emotionally. My friends held me so close – I remember my friend Tammy especially – and the pain was almost unbearable, but I wanted to do it. Parents of friends who lived in Melbourne brought up prayers and messages for me, and while I was grateful, I was too sick to give any sort of response, except for ‘thank you’.

I was told to ‘have a sleep’, but I wanted to spend as much time with my family, my partner and my friends as possible. And so, around 8am on the 22nd August, I was taken to theatre. 

This distress is so palpable on my sisters face, you can almost touch it.

This distress is so palpable on my sisters face, you can almost touch it.

If there is a photograph to capture my most life defining moment, this has to be it – saying goodbye to my sister. So many goodbyes that morning.

If there is a photograph to capture my most life defining moment, this has to be it – saying goodbye to my sister. So many goodbyes that morning.

I hugged my parents and my sister, kissed Lachie goodbye and was wheeled away.

I hugged my parents and my sister, kissed Lachie goodbye and was wheeled away.

All night and all morning I had been at peace. I wasn’t particularly worried and at one point, I’d had to tell everyone else to calm down. But when the orderlies began moving my bed in the opposite direction of my family and friends, I lost it. Up until then, I hadn’t been too worried – a possible combination of morphine and the desperate yearning to have my old lungs taken out of my decaying body. I wanted the next moment more than the last, and while my body couldn’t fight for it, my mind could. But then my brain broke. Split open like over ripe fruit.

I don’t know where the sound came from, but as I was being spirited away, I looked at the people gathered behind me and I wailed. My body was wracked with sobbing, because I had finally realised that I may never see any of these people again. I could die on the table (that’s another story) or I could make it through the surgery, get out of theatre and into recovery, only to die.

My friends subsisted on chocolate, cigarettes and a carload of Maccas when I was sleeping. Cigarettes. The irony has never been lost on me. Inside the O.R was (as all O.R’s are), subarctic. I was covered in foil to maintain body temperature and given warm blankets as I lay there waiting to go to sleep. I had beautiful conversations with doctors and the nurses and they were able to get me into a state of repose where I even asked the surgeon if I could have a couple of 500ml bags of saline popped into my chest

The Propofol was slowly leaked through an intravenous line in my chest, and I happily surrendered to the milky white liquid like a little death. My last words? ‘Save me, for I am the Sex Goddess.’ ‘Sex goddess’ had followed me through high school as a nickname, except though I didn’t have sex until after I’d left school. But ‘sex goddess’ it was.

Here are a few of Alicia’s brilliant photographs while I was having my transplant.

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Here, the surgeons are suturing up my clamshell cut after six hours of surgery. Little did they know that they’d have to rip their beautiful embroidery apart when I had to be taken back to theatre for bleeding.

Here, the surgeons are suturing up my clamshell cut after six hours of surgery. Little did they know that they’d have to rip their beautiful embroidery apart when I had to be taken back to theatre for bleeding.

In recovery. Alicia snapped at the *exact* moment this doctor realised I was bleeding internally, so it was back to theatre to resolve some ‘plumbing’ issues. It pulls on my heart when I see the nurse holding my hand. It’s the little things that for…

In recovery. Alicia snapped at the *exact* moment this doctor realised I was bleeding internally, so it was back to theatre to resolve some ‘plumbing’ issues. It pulls on my heart when I see the nurse holding my hand. It’s the little things that for me, mean so much, and I know my family would have appreciated the comfort she was giving me, even though I was in a coma. It’s the whole ‘show, don’t tell’ mantra that writers use, or ‘demonstrate, don’t state.’ And in this gentle gesture, this is exactly what she is doing.

Carly - The night I lived again

Today, a tribute to the talented and indomitable Carly Jay. Please read her extraordinary story.

If you would like to consider being an organ donor see this link: http://www.humanservices.gov.au/customer/services/medicare/australian-organ-donor-register

I’m finding it hard to concentrate on my study today. It’s that time of year. It’s Transplanniversary* time. The 22nd will mark sixteen years since I was (at least this is how it felt) thrown back into life after being ripped from the tenuous march to death. This is a photo me on my 21st birthday on New Years Eve (my actual birthday), 1997. Between Christmas and here, I knew I had to put myself on the transplant waiting list. I’d been remarkably unwell at Christmas and the days after, but by some strike of grace, I was pulsed with energy for my twenty-first birthday. Looking at this photograph now, I look so serene and calm. Just like any normal kid. I look at this picture and think, ‘Pretty. Pre-transplant boobs. No scar. BT. Before Transplant.’

But when I peel away the layers of this photo, I was anything but a normal kid. I had the weight of my life on my shoulders (and someone’s eventual death who would save my life) and it burned my bones to ash. I didn’t want to be on the transplant list for my birthday, so I put my beeper away for the night and partied for nearly three days with friends, some of whom had come as a surprise from overseas, because some people were in on the fact that this might be the last party I’d have. My mum knew. My Dad didn’t. Mum knew because she had been there every single day, at every corner of my de-evolution. While C.F snapped at my heels, we tried to keep the multiple infections at bay with brutal anti-biotic regimes and towards the end, months of hospitalisation. Mum had also seen so many of my and her friends die while waiting on the transplant list, or not even get on the list at all. They simply just died.

My Dad is an eternal optimist and for quite some time, thought I could possibly regain some of my lost lung function. He was both optimistic and in denial, so the day that I literally couldn’t get out of my boyfriends car to look at my new room, he knew things weren’t looking good for me. I knew that he knew, and I remember feeling an absence – almost like a bereavement when he looked at me with his blue puppy dog eyes, as if to say, ‘please – PLEASE – don’t get any sicker. We’ll somehow get you lungs.’ I recall jokes about assassination attempts on triathletes.

Thankfully, my sister had come back from London so she could spend the remainder of my time with me. I had been so shocked when she left in the February, it was as though my body had been hollowed out until I was a shell of skin and bone. For two weeks following my transplant, she didn’t leave my side. The night of my transplant, she was inconsolable. To see her like that was incredibly distressing and there was – until I did vipassana – much guilt associated with her, my parents and my friends feeling so unanchored and so very much in despair at my condition. I still find it hard to wrench my head and heart back to that space of seeing my loved ones not just feeling, but looking so adrift and hopeless. Literally hope-less.

I have a series of images that were taken by my friend Alicia Alit-Trevatt, a fine photographer who I met in the January of 1998. Me and my transplant journey were to be her subject for her final piece of assessment for her photography degree. We signed all manner of legal waivers with the Prince Charles Hospital, for if I was to have the transplant while I was still the subject of Alicia’s project, she could be allowed entry into the theatre to take photographs of my surgery. As luck would have it, Alicia was also an intensive care nurse which bought us of lot of clout. The doctors and surgeons were more than happy to have her in the O.R should the transplant proceed. This is one of Alicia’s first images of me (a photo of a photo, so not the best quality).

​For nine months, Alicia followed me around to all manner of appointments, parties (there were a lot of parties in 1998, and so much drinking), outings and modelling shoots like the one below. By another strike of grace, I was disconnected from my port-a-cath for this nude shoot with my friend Sharon Danzig.

Yep – that jacket came off 

Yep – that jacket came off 

In the days preceding my transplant, I was in chronic pain and on morphine (before palliation was an option for Cystic Fibrosis), as my lungs had shrunk and essentially died from a lifetime of infections, cysts and bleeds. I knew I was dying and wanted Alicia to be there as I went through the dying process.

But then the call came just after midnight on the 22nd August, and when I arrived at thePrince Charles after being transferred from the Mater, Alicia was there with camera in hand, her spirit shining. I think she knew it was going to happen. But we did, too. There was never a question as to whether the lungs were going to be ‘mine’ or not. My familyand friends had never heard about false alarms. I remember my Mum saying, ‘this is it. It’s going to happen. The lungs are yours‘ and I believed her.

I remember my transplant doctor Scott Bell saying ‘this isn’t going to be easy’, and Alicia must have depressed the button on her camera at around the exact time Scott told me this and about what lay ahead. I just wanted my old lungs out and the donor lungs in.

 Here is a poem I wrote last year about my transplant experience.

‘thrown’

When you’re thrown back into life, you’re thrown from a moving train.
That first thump and roll; the aches and bruises that follow
untether you from your carriage.
Going from an empty husk of a woman – all lily-white like a hollowed out cockleshell –
empty but for the roar when you nurse it against your ear -
that was me.
My tender armour covered a pod of barely working organs
where there was a flicker of movement in the rattle of wet lungs and a clogged throat.
*
I would see things from my bed because I couldn’t walk anymore.
My muscles had melted into small pockets of goo
and I’d bend my head to see the leaning moon,
so still on its haunches – lazy, laconic and deathly still.
I had always shunned the sun and watched the moon.
Silently I would call it; aching for it to speak with me or move just a little,
but there it sat like a mute friend – giving me the answers I needed -
a silent partner to ricochet off my rattling chest and bag of bones
where I’d reach into sapphire skies and pray for Bedouin.
I was all tied up on the wrong end of the dream, dripping time.
My chest cut open and sewn back together like a clam – a cautious cut.
Hurled back into life – that rattle now silenced and replaced
by the pulse of machines breathing for still bleeding lungs,
taken from another who was now dead,
and lowered into me like the hull of a virgin ship into water.
*
A rekindling; the universe wanted to keep me.
In the daytime, I would wake up
with eyes like a hunted here,
knowing I was alive because I could feel
that hose in my mouth and its slink down my throat.
But more, I felt the fire beginning to burn on my chest.
I’m at the coal face of my body,
wondering how I came to be here – alive and hurting -
all dry lipped surrender.
Mad as a circus cat,
it was an exercise in patience until the next time I woke up -
snapping and grabbing at the tube
until a milk filled syringe was emptied into my neck and I knew the fight was over.
When the tube was pulled, my cough was a projectile.
A quadrant of doctors, gathered in the corner like vultures,
laughing about some dialectical shit.
My first words – ‘get the fuck out of here!’
I was crying and trying to shout with my wretched vocal cords.
They moved to the desk and I shouted ‘you disrespectful cunts!’
I never saw those doctors again and that was probably best – for them.
This was the first time I’d been thrown.
Thrown onto an operating table, flung into recovery,
sucked back into the furnace of theatre and ferried out again.
Funnelled into a solitary pod, the hose wrenched from my raw throat
and then I – throwing doctors out on their asses.
— CJM - http://bruisesyoucantouch.com/

RiverFire - Sept 28, 2013

 

An approximately 500,000 strong crowd gathered throughout the heart of Brisbane to watch this 25 minute pyrotechnic explosion of colour... Hunting down a vantage point at Southbank Parklands made for an interesting people watching (& firework shooting) exercise.